Established by the leaders of the country’s only successful slave revolt in the mid-nineteenth century, Cross River still evokes the fierce rhythms of its founding. Among its residents–wildly spanning decades, perspectives, and species–are David Sherman, a struggling musician who just happens to be God’s last son; Tyrone, a ruthless PhD candidate, whose dissertation about a childhood game ignites mayhem in the neighboring, once-segregated town of Port Yooga; and Jim, an all-too-obedient robot who serves his Master.
Paxton never thought he’d be working for Cloud, the giant tech company that’s eaten much of the American economy. Much less that he’d be moving into one of the company’s sprawling live-work facilities. But compared to what’s left outside, well, it doesn’t seem so bad. It’s more than anyone else is offering. Zinnia never thought she’d be infiltrating Cloud. But now she’s undercover, inside the walls, risking it all to ferret out the company’s darkest secrets. And Paxton, with his ordinary little hopes and fears? He just might make the perfect pawn. If she can bear to sacrifice him.
Going Dutch is an incisive portrait of relationships in an age of digital romantic abundance, but it’s also a heartfelt and humorous exploration of love and sexuality, and a poignant meditation on the things emotionally ravenous people seek from and do to each other. James Gregor announces himself with levity, and a fresh, exciting voice in his debut.
In the lawless, drought-ridden lands of the Arizona Territory in 1893, two extraordinary lives unfold. Nora is an unflinching frontierswoman awaiting the return of the men in her life, and Lurie is a former outlaw and a man haunted by ghosts. Mythical, lyrical, and sweeping in scope, Inland is grounded in true but little-known history. It showcases all of Téa Obreht’s talents as a writer, as she subverts and reimagines the myths of the American West, making them entirely–and unforgettably–her own.
When Alexandra Witt joins the faculty at Stonebridge Academy, she’s hoping to put a painful past behind her. Then one of her creative writing assignments generates some disturbing responses from students. She soon inspires the girls who’ve started to question the school’s “boys will be boys” attitude and incites a resistance. But just as the movement is gaining momentum, Alex attracts the attention of an unknown enemy who knows a little too much about her–and what brought her to Stonebridge in the first place.
On an unnamed island off an unnamed coast, objects are disappearing: first hats, then ribbons, birds, roses–until things become much more serious. Most of the island’s inhabitants are oblivious to these changes, while those few imbued with the power to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten. When a young woman who is struggling to maintain her career as a novelist discovers that her editor is in danger from the Memory Police, she concocts a plan to hide him beneath her floorboards.
Living in small-town Utah has always been an uneasy fit for Tunde Akinola’s family, especially for his Nigeria-born parents. Though Tunde speaks English with a Midwestern accent, he can’t escape the children who rub his skin and ask why the black won’t come off. As he struggles to fit in and find his place in the world, he finds little solace from his parents who are grappling with their own issues. This book is a beautiful and poignant exploration of the meaning of memory, manhood, home, and identity as seen through the eyes of a first-generation Nigerian-American.
Jia Tolentino is a peerless voice of her generation, tackling the conflicts, contradictions, and sea changes that define us and our time. Now, in this dazzling collection of nine entirely original essays, written with a rare combination of give and sharpness, wit and fearlessness, she delves into the forces that warp our vision, demonstrating an unparalleled stylistic potency and critical dexterity.
S.T., a domesticated crow, is a bird of simple pleasures: hanging out with his owner Big Jim, trading insults with Seattle’s wild crows (those idiots), and enjoying the finest food humankind has to offer: Cheetos. Then Big Jim’s eyeball falls out of his head and S.T. starts to feel like something isn’t quite right. Humanity’s extinction has seemingly arrived, and the only one determined to save it is a foul-mouthed crow whose knowledge of the world around him comes from his TV-watching education.
One beautiful September day, three men convene on Martha’s Vineyard, friends ever since meeting in college circa the sixties. They couldn’t have been more different then, or even today–Lincoln’s a commercial real estate broker, Teddy a tiny-press publisher, and Mickey a musician beyond his rockin’ age. But each man holds his own secrets, in addition to the monumental mystery that none of them has ever stopped puzzling over since a Memorial Day weekend right here on the Vineyard in 1971: the disappearance of the woman each of them loved–Jacy Rockafellow.
A kaleidoscopic debut novel about love, family, genius, and the madness of art, circling the life of eccentric composer Erik Satie and La Belle Époque Paris. With her buoyant, vivid reimagination of an iconic artist’s eventful life, Caitlin Horrocks has written a captivating and ceaselessly entertaining novel about the tenacious bonds of family and the costs of greatness, both to ourselves and to those we love.
Fourteen-year-old Cindy and her two older brothers live in rural Pennsylvania, in a house with occasional electricity, two fierce dogs, one book, and a mother who comes and goes for months at a time. Deprived of adult supervision, the siblings rely on one another for nourishment of all kinds. So when a glamorous teen from a more affluent, cultured home goes missing, Cindy escapes her own family’s poverty and slips into the missing teen’s life.